Poets’ Corner: Industry and Identity

6th June 2025

‘Near to the gates of Chetham College, in Long Millgate, stands one of those ancient and picturesque houses, which occasionally start to view like spectres of a bygone age, but are now fast disappearing before the levelling hand of improvement’. So begins the preface to an anthology of poems called The Festive Wreath (1842), written by a group of largely working-class poets who came to be known variously as the ‘Sun Inn Group’, the ‘Manchester Poets’ and the ‘Bards of Cottonopolis’. The group’s meeting place was this picturesque house, the Sun Inn, a timber-framed building on the corner of Long Millgate, which came to be known in the early 1840s as ‘Poets’ Corner’, from the literary gatherings that took place there. Notable members of the group included its leading light John Critchley Prince, the radical reformer Samuel Bamford, the ‘Bard of Colour’ Robert Rose, and Isabella Varley—who later wrote and published The Manchester Man under her married name, Mrs G. Linnæus Banks.

Chetham’s Library’s latest exhibition focuses on this group and its poetry. The Sun Inn group was the one of the most prolific of the societies of working-class poets that emerged in Britain’s industrial cities around the middle of the nineteenth century. It played an important role in shaping Manchester’s literary and cultural identity at a key moment in the city’s history; while some of its members wrote about working-class conditions at a time when Manchester was rapidly expanding as an industrial powerhouse, others embraced a far broader range of themes, challenging contemporary views of the city as a literary wasteland. Some of the group wrote in their Lancashire dialect, a choice that went against the grain and contributed to a growing interest in regional dialect literature in subsequent decades. Although their poetry has been largely forgotten, and the Sun Inn no longer exists—its license was withdrawn and it became an antiques shop, its roof collapsed in a storm in July 1914, and it was demolished in the 1920s to make way for Cathedral Gardens—the group staked out a claim to a literary identity for the city, foreshadowing its modern status as a UNESCO City of Literature. Over the coming months, we look forward to exploring this group’s membership and sharing some of its poetry with you.

Figure 1: Print of the Sun Inn and Poet’s Corner, in John Bolton Rogerson (ed.), The Festive Wreath (Manchester: Bradshaw & Blacklock, 1842) (Chetham’s Library, 8.J.5.70).

Figure 1: Print of the Sun Inn and Poet’s Corner, in John Bolton Rogerson (ed.), The Festive Wreath (Manchester: Bradshaw & Blacklock, 1842) (Chetham’s Library, 8.J.5.70).